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.16.00.live.arbor
mortalis. . .18.00.live.+film.low-fi .19.00.live.+film.low-fi. .20.00.live.christian bouyjou.o: .21.00.live.christian bouyjou.o:. . .23.00.live.clive graham ,richard crow,radio s'agir.open thing.
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.00.00.live.port radium.transparent monobloc. .01.00.dj.dj mushroom.electric
soul. .02.00.live.+film.yves p. + ludo p..pool
act. .03.00.live.+film.yves p +ludo p .pool
act. . .05.00.live.eM.minun .06.00.live.eM.minun. .07.00.live.hewoja.beat.me.lange. . .09.00.live.stefan nemeth +erik minkkinen.fq. . .11.00.live.fennesz.*****. .12.00.live.dj.mozart.maschinenschlosser. .13.00.live.norman.jnort@jfj. . .15.00.live.Helmut Heiland.elmü .16.00.live.Helmut Heiland.elmü. .17.00.live.christian buijoux. .18.00.live.general magic. .19.00.live.hiaz@test.at.: :
:. .20.00.live.ennoson. .21.00.live.Jeanlucqueltruc&Laurent
Anhalter .22.00.live.Jeanlucqueltruc&Laurent
Anhalter. .23.00.live.+video.discom.->.
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.00.00.live.+video.discom.-> .01.00.live.+video.discom.->. .02.00.live.+video.bigot+babiole."endoscope" .03.00.live.+video.bigot+babiole."endoscope". .04.00.live.L.anhalter+ brenda.le
truc. .05.00.live.+film.yves pelisier l fernandez.chaudron. .06.00.live.+film.yves pellisier
e minkkinen.vert. .07.00.video.jean louis chapuis.garage .08.00.video.jean louis chapuis.garage. .09.00.video.Peter Hörmanseder.replay .10.00.video.Peter Hörmanseder.replay. .11.00.dj.fred
bigot.le ptit chemix. .12.00.film.claire.pas de
titre. .13.00.live.christian
buyjou. .14.00.live.hecker./layerII;slayerIII. .15.00.live.dj.+video.mozart.maschinenschlosser. .16.00.performance.nathalie rias.performance intimiste .17.00.performance.nathalie rias.performance intimiste. .18.00.live.dj.dent.k.salat .19.00.live.dj.dent.k.salat. .20.00.live.fourier.guitar
research. .21.00.dj.+video.monochrom's medienmogulerie.prallgefuellter warenkorb .22.00.dj.+video.monochrom's
medienmogulerie.prallgefuellter
warenkorb. .23.00.live.dj.dieb13.
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.00.00.live.dj.dieb13. .01.00.live.dj.+video.gajol.uko. .02.00.dj.jeorg.forgot last
name...sorry. .03.00.live.dj.+video.OFF.of ON/OFF. .04.00.live.lionel fernandez.''''____ .05.00.live.lionel fernandez.''''____. .06.00.dj.ludo.port radium is a
zero. .07.00.live.port radium.+102 elements. .08.00.video.jean louis chapuis.album de
photos. .09.00.dj.niemand.none. . .11.00.dj.wolfgang kopper._-_-. .12.00.live.dj.+video.gajol.uko. .13.00.live.dj.+video.P.Giner et V.Epplay.Studio
Mobile .14.00.live.dj.+video.P.Giner et
V.Epplay.Studio Mobile. .15.00.live.roc.principio
6. .16.00.live.far out brothers.vger vs.dr.nachtstrom. .17.00.live.i22 vs. Vger.minidisk
madness. .18.00.end.
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.'placard' . . .The idea came out of a desire of
finding new ways to diffuse & listen to electronic music; bringing
out a relationship inbetween time/work/diffusion. It is proposing a non
stop diffusion of concerts, performances, projections ; through out a
few days (3,4..or more) where the artists relay
themselves. . .The audience listens to the shows via headphones, the
audience is limited to the number of headphones (we had 6 in
paris) . .The program should be determined in advance , having each
artist on at least twice at different hours .dispatching of schedules
is quite important (you have to fill up the mornings etc.. (which
personally seemed to be the best hours for me..)). We mainly had sets
of four hours here in paris, which seemed to develop longer moments for
the artists, and came out quite good. . .Setting up undone duos ,
solos.. etc can develop something special for the audience (only 6 to
hear a 'special' perfomance. . .In the technical point of view it is
important that most of the instalation stays during the whole show (
mixing board , a computer (mac), 1 or 2 cd players ) and that there is
a large enough space on a table for artists to bring in their own
material. .Still technical : what would be needed would be a 16/4/2
mixing board; 6 headphones (best quality possible); a mac with jaz and
or zip cd rom (should be specified).We have a six way stereo
input/output amplifier that we can bring along but if you want to have
more audience we will need some more head phone amplification. Then
think about video (maybe 2nd screens for computers for the audience
or..) ..Serving coffee beer etc.. inside the space is quite important,
to give over comfortable seating to the audience is
essential. ..Also for the comfort of the audience it is important that
there is a 'waiting room', where it is possible to have a drink and
sofort open also non stop.We expierienced in paris more or less some
periods of 'rush hour' and used a bar 50 meters away which was open
until 2 am and opened at 5 am; the thing to deal with is I guess to try
not to bother neighbours in the building all night for four-five days;
the space we had here was only one 12sq meter room, we had to have the
20-30 people waiting outside. Doing it this way we went on for two days
before anyone in the building did actually notice
something. . . |
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