.16.00.live.arbor mortalis.
.20.00.live.christian bouyjou.o:
.21.00.live.christian bouyjou.o:.
.23.00.live.clive graham ,richard crow,radio s'agir.open thing.
.00.00.live.port radium.transparent monobloc.
.01.00.dj.dj mushroom.electric soul.
.02.00.live.+film.yves p. + ludo p..pool act.
.03.00.live.+film.yves p +ludo p .pool act.
.09.00.live.stefan nemeth +erik minkkinen.fq.
.15.00.live.Helmut Heiland.elmü
.16.00.live.Helmut Heiland.elmü.
.17.00.live.christian buijoux.
.18.00.live.general magic.
.19.00.live.hiaz@test.at.: : :.
.21.00.live.Jeanlucqueltruc&Laurent Anhalter
.22.00.live.Jeanlucqueltruc&Laurent Anhalter.
.04.00.live.L.anhalter+ brenda.le truc.
.05.00.live.+film.yves pelisier l fernandez.chaudron.
.06.00.live.+film.yves pellisier e minkkinen.vert.
.07.00.video.jean louis chapuis.garage
.08.00.video.jean louis chapuis.garage.
.09.00.video.Peter Hörmanseder.replay
.10.00.video.Peter Hörmanseder.replay.
.11.00.dj.fred bigot.le ptit chemix.
.12.00.film.claire.pas de titre.
.13.00.live.christian buyjou.
.16.00.performance.nathalie rias.performance intimiste
.17.00.performance.nathalie rias.performance intimiste.
.20.00.live.fourier.guitar research.
.21.00.dj.+video.monochrom's medienmogulerie.prallgefuellter warenkorb
.22.00.dj.+video.monochrom's medienmogulerie.prallgefuellter warenkorb.
.02.00.dj.jeorg.forgot last name...sorry.
.03.00.live.dj.+video.OFF.of ON/OFF.
.04.00.live.lionel fernandez.''''____
.05.00.live.lionel fernandez.''''____.
.06.00.dj.ludo.port radium is a zero.
.07.00.live.port radium.+102 elements.
.08.00.video.jean louis chapuis.album de photos.
.11.00.dj.wolfgang kopper._-_-.
.13.00.live.dj.+video.P.Giner et V.Epplay.Studio Mobile
.14.00.live.dj.+video.P.Giner et V.Epplay.Studio Mobile.
.15.00.live.roc.principio 6.
.16.00.live.far out brothers.vger vs.dr.nachtstrom.
.17.00.live.i22 vs. Vger.minidisk madness.
.The idea came out of a desire of finding new ways to diffuse & listen
to electronic music; bringing out a relationship inbetween
time/work/diffusion. It is proposing a non stop diffusion of concerts,
performances, projections ; through out a few days (3,4..or more) where
the artists relay themselves.
.The audience listens to the shows via headphones, the audience is
limited to the number of headphones (we had 6 in paris)
.The program should be determined in advance , having each artist on at
least twice at different hours .dispatching of schedules is quite
important (you have to fill up the mornings etc.. (which personally
seemed to be the best hours for me..)). We mainly had sets of four hours
here in paris, which seemed to develop longer moments for the artists,
and came out quite good.
.Setting up undone duos , solos.. etc can develop something special for
the audience (only 6 to hear a 'special' perfomance.
.In the technical point of view it is important that most of the
instalation stays during the whole show ( mixing board , a computer
(mac), 1 or 2 cd players ) and that there is a large enough space on a
table for artists to bring in their own material.
.Still technical : what would be needed would be a 16/4/2 mixing board;
6 headphones (best quality possible); a mac with jaz and or zip cd rom
(should be specified).We have a six way stereo input/output amplifier
that we can bring along but if you want to have more audience we will
need some more head phone amplification. Then think about video (maybe
2nd screens for computers for the audience or..)
..Serving coffee beer etc.. inside the space is quite important, to give
over comfortable seating to the audience is essential.
..Also for the comfort of the audience it is important that there is a
'waiting room', where it is possible to have a drink and sofort open
also non stop.We expierienced in paris more or less some periods of
'rush hour' and used a bar 50 meters away which was open until 2 am and
opened at 5 am; the thing to deal with is I guess to try not to bother
neighbours in the building all night for four-five days; the space we
had here was only one 12sq meter room, we had to have the 20-30 people
waiting outside. Doing it this way we went on for two days before
anyone in the building did actually notice something.